Caroline A. Jones - "Post-Studio/Postmodern: Robert Smithson and the Technological Sublime" + "Conclusion: The Machine in the Studio," from Machine in the Studio: Constructing the Postwar American Artist
Makoto Kawabata / Richard Youngs - s/t
Boxhead Ensemble - Nocturnes
Coh - Plays Cosey
Boris - Boris At Last -Feedbacker-
Boris with Merzbow - Sun Baked Snow Cave
Matthew Bower / Mattin - A New Form of Beauty (1975)
Carl Michael von Hausswolff - Topophonic Models
Chris Watson / BJ Nilsen - Storm
Mika Vainio - Vandal EP
Aoki Takamasa - RN-Rhythm-Variations
The Red Krayola with Art & Language - Five American Portraits
Elms writes, is Associate Curator at the Institute of Contemporary Art, Philadelphia, and is also the Editor of WhiteWalls Inc.
His writings have appeared in Afterall, Art Asia Pacific, Art Papers, Artforum, Cakewalk, May Revue, Modern Painters, New Art Examiner, and Time Out Chicago. He has also written essays for many catalogs.
As an artist, Elms has been included in projects exhibited at Gahlberg Gallery (Glen Ellyn), Hyde Park Art Center (Chicago), Mandrake (Los Angeles), Mess Hall (Chicago), Randolph Street Gallery (Chicago), and VONZWECK (Chicago), among others. He has independently curated many exhibitions, including: Sun Ra, El Saturn & Chicago's Afro-Futurist Underground, 1954-61 (with John Corbett and Terri Kapsalis); Interstellar Low Ways (with Huey Copeland); Can Bigfoot Get You a Beer?, and A Unicorn Basking in the Light of Three Glowing Suns (both with Philip von Zweck).